Jack

With the arrival of spring, we are in the midst of a huge snow/ice storm (of course).  Because of the storm, our Thursday group decided not to meet, because we all travel some distance to get to Stowe.  I was pretty sad, so Jack agreed to pose for me.  This is the alla prima that I just did.  Maybe, I'll try tweaking it a bit, if I can get him to pose again.  He reached his limit for sitting, and I didn't press it.  I just realized that  I've only painted Jack a few times, but it was usually a picture of him in the act of painting , and not a head study.  It is funny how time slips away.

George

I'm working on this still life...well, I've been trying to finish it really.  I just replaced the lettuce which had wilted a while ago, as well as some tomatoes,  and started painting, when Roy showed up needing me to babysit for George.  So, I got out my trusty backpack!  Truly, the backpack is the best gadget ever invented.  Well, maybe that's a bit strong, but it sure is handy.  I used this backpack when I painted  with all of my kids.  One more thing...you are never too young to start art training...look how interested George is. 

New Developments

The painting group at Dee's this week held many surprises.  The model was great.  I try to move around the room so that some weeks I have rim light, sometimes side light, sometimes three-quarter, and sometimes flat light. I chose to paint flat light this week. Flat light is always difficult, but it is good to battle it out and try.  Remember, there's work in brushwork!  So, my brain had a workout, and I'll post the results tomorrow.

At one of the breaks, one of the other artists asked Priscilla the ages of her children.  She answered, "Violet will be 4 years old in June,  Emma is 16 months, and NEW BABY IS DUE IN NOVEMBER!!"  What a surprise!  Boy, was it hard to keep my mind on painting.

Yes, I love painting, but I really love being a grandma!  Besides....there will be more models!  

So, here it is by the end of the session.  Trying to figure out where to put the bow is tricky.  But, I will put it in carefully when it is dry.  All in all, it was one of the most entertaining painting sessions ever!  

Jeremiah

Here is my start.  I wiped my first attempt out and flipped the canvas to do a horizontal for the second attempt.  This was probably 20 minutes.  Frank Mason always said that you put down everything you know in about 20 minutes, and in many ways that is true.  My initial lay-in hit the pose I wanted as Jeremiah played song after song.  It was interesting to note that watching him play and trying to get the gesture was better than when he "froze".  The pose, then, became very stagnant and less interesting.  Alla prima painting is sort of like gesture drawing...actually it is gesture painting, which is drawing with the brush at its best.

More pictures from Dee's studio

There's no instruction.  Each artist works in his/her own manner.  Here is Jack.  He is painting with oil on paper.  Our model this week was a local musician named Jeremiah, another one of Priscilla's friends.  He's a fiddler, and he played the entire time.  It was wonderful.  Painting a moving target is no easy feat.  Occasionally, he would "freeze" and we would scramble to try to get in those hands before the bow started moving again.  

Dee Macy's Studio - Stowe, VT

Our Thursday group has grown to around 11 artists.  We meet at Dee Macy's studio in Stowe.  Every one splits the model fee and just paints.  Priscilla has decided to paint instead of model.  

Dreadlocks

After posting the painting of Charles, I decided to add this painting that I did of Priscilla with dreadlocks.  I probably painted it in 2004.  It is also an alla prima painting on panel.  This was the original "Stylin'" painting.  If you go back to the beginning of my blog, you will see me painting Priscilla again in the same theme.  The dreadlocks were gone, but the curly pony tail worked.

Our group on Thursday painted our first male model, Charles.  He is a musician from Bakersfield, and one of my kid's friends. Enlisting models seems to take a standard course...first you get family members and then talk friends into posing. Charles had never posed before, but being used to performing, he didn't mind us squinting and staring at him. It is an odd fact, but there are probably more kids in Vermont with dreadlocks than in most other states.  Yes, 2 of my 5 children wore them at one time or another, and I must admit....they are fun to paint!  This, again, is an alla prima oil on panel.

Head Study

Here is another alla prima oil that I painted during one of the sessions in Stowe.  It is fun to complete (or at least try to get as far as I can) a painting in one sitting.   I am convinced that in order to keep learning, I need to do quick studies like this and then slow, carefully conceived and constructed paintings.  As long as an artist can stay on a learning curve, she/he will continue to improve.  Painting can be frustrating at times.  There are always times when you seem to hit a plateau....and then.....Bingo!  You have a break through.  Advice to self:  Keep painting!

Still Life Revisited

I did a little glazing on this one:  the background, bowl, berries and print.  I might do a little more, but I don't want the painting to get too picky or overworked.  So, I will put it aside for a while and think about it.

Another Alla Prima

I thought that it would be fun to do a painting with my granddaughter, Violet, and my daughter, Priscilla.  Violet had her little easel set up in my studio.  Priscilla was on the other side of her 2-sided easel, painting a picture of Violet.  Somehow, I forgot how hard it is to get kids to cooperate.  So, the painting kept morphing.  Priscilla started looking more like me, and Violet stopped posing altogether.  This was a one-shot attempt, but I think I will try to keep working on it.

Alla Prima Study

Recently,  I have been painting with 5 other artists in Stowe, VT.  We meet at Dee Macy,s studio which is large enough to accomodate all of the easels, painting supplies and a model.  The model takes a pose, which is repeated for 3 hours.  In that time, we all paint like crazy.  This is the result of one of those sessions.  It is an alla prima oil of my daughter's Mother-in-Law, Nancy.  This is one way to solve the expense of  hiring a model.  All of the artists pitch in to pay the modeling fee.  This would have been one that I would have loved to work on just a little longer.  Perhaps, we can get the model to pose again, but it was a fun study, at any rate.